IT IS NOT GENERALLY KNOWN that the designers of the London Underground Tube Map “borrowed” heavily from William Blake’s early attempts to diagram of his own cosmological system. Blake eventually abandoned his graphical effort as incommodious to the three- and four-dimensional representations of the visions he saw, and instead set about writing his Prophecies. Nevertheless here you will find his predictions for our current times, and they’re uncannily specifically spot-on. (He missed Trump, although it appears he envisioned Trump’s Wall.) The worst evils of Hell are to be found at the center; they become more banal the further one moves toward the circumference. If you stand way, way back, you can make out behind it all the face of Satan (which appears elsewhere in Blake’s works as an undated engraving done in the style of Henry Fuseli).

Hell in the twenty-first century is not quite as hellish as it may at first glance appear. Notice the figures drifting around the peripheries. It is as if Blake were saying that salvation for would come not from organizations or policies, but from the visions, insights, efforts, and sacrifices of individuals.


AN HOMAGE to William Blake, Nog O’Shaughnessy’s Hell, emended 21c. sorts contemporary organizations, policies, and conventions in accordance with Blake’s notions about the Hell we create on earth. Huge and dire, with something to offend or implicate all of us, Hell charts a serpentine network of exotic psychoses, along with the organizations, institutions, policies, and products they’ve spawned.

Butt on closer inspection, it becomes oddly optimistic and hints at remedies...

This site is under construction and
will look like something by March, 2022.

“The Elephants print is spread out on the kitchen table and the Hell print is on the dining room table, so we stood up to eat dinner. All evening I could hear stocking-feet as my family went back to look again, then a shout of joy or laughter.”

— Maria Cannon


“I love the thoughtfulness and humor of the names of the subway stops, but more than that, I love the poetry of the descriptions in the map legend. Hell reminds me the most important aspects of life can’t be explained or grasped quickly and easily, like an empty headline in my smartphone’s newsfeed. I need to be reminded of this often, something this piece does.”

Juan Thompson


“My gifts of your Hell maps were a great success. All three of the recipients “got it.” One took his to his family Christmas Eve celebration where the seven of them spent a great deal of time discover -ing the unique destinations. My friend’s grandson, a high school senior interested in politics and culture, was particularly intrigued by the possibilities.”

— Hal Wakefield


“You were right. Something in Hell to offend everyone.”

— Tina Kniebes


Nog O’Shaughnessy* organized this system across 168 cocktail napkins, coasters, disposable face masks, and tear-stained tissues. His younger brother Bry O’Shaughnessy* in turn drew the snakes and hand-lettered each of the stations, or manifestations, or downright festations, of Hell.

stay disinformed.

Nog O’Shaughnessy’s Hell, 21c is an entry in our Large-Format Disinformation Graphics series. Receive infrequent updates on these and other items from Smallwhisky House. We won’t share your information with anyone.

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